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The Jewelry Book Spring 2017

Prestige Promenade pearls and sweets

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38 www.thejewelrybook.com A brooch circa 1929 with a 50-carat carved emerald not only caught the eye of Yvonne Markowitz in 2007 at The European Fine Art Fair (TEFAF) in Maastricht, Netherlands, but paved the way for overdue accolades for its maker, Oscar Heyman. Markowitz attended the show as the Rita J. and Susan B. Kaplan curator of jewelry (now emerita) for the Museum of Fine Arts, Boston (MFA), and eventually persuaded her board of trustees to acquire the American-made piece. She knew that onetime retailer Marcus & Co. sold it to collector Marjorie Merriweather Post, but upon closer inspection additional maker's marks were evident. With the help of a colleague, the MFA determined Oscar Heyman had made the brooch as a private label piece. "Our marks specialist said, 'I didn't think that Marcus numbered their pieces like this, so it could be made by Oscar Heyman for Marcus,'" Markowitz recollects. Once present-day partner Tom Heyman confi rmed the piece was their handiwork, MFA donors and trustees Fred and Jean Sharf urged the museum to ink a book on one of the trade's best-kept secrets. The result is Oscar Heyman: The Jewelers' Jeweler, the fi rst illus- trated history of 105-year-old Oscar Heyman & Brothers. Printed by MFA Publications, the publishing arm of the museum, the brooch Markowitz discovered at TEFAF is on the cover. The Trade's Secret Oscar Heyman is known as the 'jeweler's jeweler,' but is only now stepping into a well-deserved spotlight thanks to a book about its history and the provenance of some of its most prestigious commissions. By Jennifer Heebner O S C A R H E Y M A N D E S I G N E R U P C L O S E

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